• baritone and orchestra
• text: Anonymous
• re-scored by Balfour Gardiner in May-June 1911
• dedicated to Frederic Austin
• composed 1900
• performed by the Queen's Hall Orchestra
  conducted by Sir Thomas Beecham
  with Frederic Austin, soloist
  on June 6, 1905 at Bechstein Hall, London
• London: Elkin, 1925photoprints of ms. in the Grainger Museum
• full score MG C3-SCO-69A and incomplete set of parts MG C3/SCO-69A:1

• Baritone solo, chorus and orchestra 
• Text by John Keats
• Composed 1915-17
• Published 1934, London: Universal Music Agencies
• Premiered by Leeds Festival Chorus and
      The London Philharmonic Orchestra
      conducted by Sir Thomas Beecham
      with Roy Henderson soloist at Leeds Festival
      Leeds Town Hall, Leeds
• piano reduction available from Cyril Scott Estate
  

• Orchestra, Organ and Chorus
• Revision of Princess Maleine Overture
• Composed 1929
• Dedicated to Percy Grainger
• Premiered by BBC Symphony Orchestra
      conducted by Sir Adrian Boult 1934:
      Queen's Hall, London
• Published by Elkin
• score & parts on hire from Novello
• Ms. full score, parts and chorus parts: MGF C2/SCO-70
      and photoprint of full scores: MG C3/SCO-70)
      in the Grainger Museum
  

• Solo voices, chorus and orchestra
• Text by Cyril Scott (1947) Libretto and score available from:
      Edwin A. Fleisher Collection of Orchestral Music,
• email: smithk@library-phila.gov

• Chorus, orchestra, soli and organ
• composed November 1899
• Dedicated to Percy Grainger, Roger Quilter, Eric and Agnes Harben, Hans and Carrie Lüthy
• Ms. piano score (by Percy Grainger) in the Grainger Museum:
  MG C2/SCO-113
  

Mirabelle
 A Quaint Cantata

• Lullabye
• Colloquy
• Six years Old, Come Friday
• parents' Lament
• Told While Spinning
• Mirabelle's Love Plaint
• Mirabelle Is a Baggage, We Know
• Seven Swains
• To The Wedding
• Tragedy

• Solo voices, chorus and string orchestra; or a cappella
• Text by Cyril Scott London: Boosey & Hawkes, 1932, (vocal score)
• score and parts on hire

• Men's or mixed chorus ad. lib. and chamber orchestra
• Text by Cyril Scott under pseudonym Arkwright Lundycomposed 1932London: Elkin,1933 (vocal score)
• score and parts on hire from Novello

• Solo voices, chorus and orchestra
• Text by Richard Crashaw
• Intended to be preceded by Christmas Overture
• Optional ending for NoëlPerformance planned for April 3 1914 but war intervened
• London: Stainer & Bell, 1923 (vocal score)

• Orchestra with choral and organ finale
• orchestral overture with optional choral ending Nativity Hymn
• Performed by the Queen's Hall Orchestra
• conducted by Sir Henry Wood, Sept. 20, 1932
  at Promenade Concert at Queen's Hall, London.
• Mainz: B. Schott's Söhne, 1931
• score and parts on hire
• Ms. of full score available from Schott: London

• Solo tenor/narrator, orchestra and women's chorus
• text from Ecclesiastics (chapter 44),
• J.R. Lowell and Shelly
• composed 1936
• Premiered with Basil Maine, soloist,
  on Sept 24 1936 at the Norwich Musical Festival in Norwich.
• London: Elkinscore and parts on hire from Novello
• Ms. photoprints of full score in the Grainger Museum: MG C3/SCO-98A

• orchestral overture with chorus and organ
• revision of original orchestral version
• later revised as Festival Overture
• Performed by the Vienna Philharmonic Chorus conduced by Franz Schreker on April 22 1912, Vienna

• mixed voices, orchestra
• text by Cyril Scott; German translation by R.S. Hoffmann.
• Wien: Universal-Edition, 1935, (vocal score)
• score and parts on hire