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Songs
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Ad
Domnulam Suam
op. 1, no. 2 |
- (op.3 , no.2)
- voice and piano
- text by Ernest Dowson
- Oxton: The Author, 1900
- Later published: London: Metzler, 1903
as Little Lady of My Heart, op. 3, no. 2
with a dedication to Stefan George
- ms. in the possession of Leslie East
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| Afterday,
op. 50, no. 1 |
- voice and piano
- text by Cyril Scott
- London: Elkin, 1906
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| All
Through the Night |
- voice and piano
- London: Elkin, 1921
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| Alone |
- voice and piano
- text by Herbert A. Giles after the Chinese
- London: Elkin, 1919 as No. 1 of Songs of Old Cathay
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And
So I Made A Villanelle
op. 65 |
- voice and piano
- Text by Ernest Dowson
- dedicated to Mr. and Mrs. H.W. Darvell
- London: Elkin, 1908
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| Angelus |
- voice and piano
- Text by Cyril Scott
- London: Elkin, 1925 as No. 3 of Songs of a Strolling Minstrel
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| April
Love,
op. 1, no. 1 |
- voice and piano
- text by Ernest Dowson
- Oxton: The Author, 1900
- later published: London: Metzler, 1903 as op. 3, no. 1
with a dedication to Frederic Austin
- ms. in the possession of Leslie East
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| Arietta,
op. 72, no. 2 |
- voice and piano
- text by Duffield Bendall
- New York: Elkin, 1910
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| Arise
My Love, My Fair One |
- voice and piano
- text from Song of Solomon
- London: Elkin, 1939
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| Asleep,
op. 31 |
- voice and piano
- text by Ernest Dowson
- dedicated to Agnes and Eric Harben
- London: Boosey, 1903
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| Aspiration |
- voice and piano
- text by Irene McLeod
- London: Elkin, 1926
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| Atwain,
op. 56 |
- voice and piano
- text by F. Leslie
- London: Elkin, 1907
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| Autumn
Song |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Monsieur et Madame Golay-Chovel
- London: Elkin, 1913
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| Autumn's
Lute |
- voice and piano
- text by Rosamund Marriott Watson
- London: Elkin, 1914
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| Autumnal,
op. 11 |
- voice and piano
- text by Ernest Dowson
- composed ca. 1900
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| Autumnal,
op. 32 |
- voice and piano
- text by Ernest Dowson
- Revision of Autumnal, op. 11
- dedicated to Rosamund Marriott Watson
- London: Boosey, 1904
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Ballad
of Dark Rosaleen
op. 13 |
- voice and piano
- composed [ca. 1900?]
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| Ballad
of Fair Helen of Kirkconnel, op. 8; arr |
- voice and piano
- text: Anonymous
- London: Elkin, 1925
- ms. at New York Public Library
- printed copy with annotations by Peter Pears
in Britten-Pears Library
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| Ballad
Singer, op. 42, no. 2 |
- voice and piano
- text by Eric Harben
- dedicated to Eric and Agnes
- London: Boosey, 1904
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| Birthday |
- voice and piano
- text by Christina Rossetti
- dedicated to Charles Tilson Chowne
- London: Elkin, 1913
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| Blackbird's
Song, op. 52, no. 3 |
- voice and piano
- text by Rosamund Marriott Watson
- London: Elkin, 1906
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| Blythe
and Merry Was She |
- voice and piano
- text by Robert Burns
- London: Elkin, 1922
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| By
Yon Bonnie Banks |
- voice and piano
- text by Mrs. H.M. Freeman
- London: Elkin, 1922
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| Cherry
Ripe |
- voice and piano
- text by Robert Herrick
- melody by Charles Edward Horn
- dedicated to Percy Grainger
- London: Elkin, 1922
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| Comin'
Thro' the Rye |
- voice and piano
- London: Elkin, 1922
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| Daffodils,
op. 68, no. 1 |
- voice and piano
- text by Ella Erskine
- London: Elkin, 1909
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| Dairy
Song, op. 5, no. 1 |
- voice and piano
- text by Ernest Dowson
- dedicated to Rober Quilter
- composed [ca. 1899?]
- London: Boosey, 1903
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| Damon |
- voice and piano
- text by Johann Wolfgang von Goethe
- composed Aug. 17, 1895
- ms. in the possession of Leslie East
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| Daphnis
and Chloe, op. 9 |
- voice and piano
- text by Selwyn Image
- dedicated to Francis Korbay
- composed [ca. 1900?]
- London: Boosey, 1904
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Don't
Come in Sir, Please!
op. 43, no. 2 |
- voice and piano
- text by Herbert A. Giles after the Chinese
- dedicated to Walter Crook
- London: Elkin, 1905
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| Drink
to Me Only with Thine Eyes |
- voice and piano
- text by Ben Johnson
- dedicated to Hubert Eisdell
- London; Elkin, 1913
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| Eastern
Lament, op. 62, no. 3 |
- voice and piano
- text by Herbert A. Giles from the Chinese
- dedicated to Swami Abhedananda
- London: Elkin, 1909
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| Eileen,
op. 42, no. 1 |
- voice and piano
- text by Ellen Mary Rowning
- London: Boosey, 1904
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| Evening,
op. 71, no. 2 |
- voice and piano
- text by Ernest Dowson
- revision of Vesperale, op. 9
- dedicated to Walter and Ella Pearce
- London: Elkin, 1910
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| Evening
Hymn, op. 34 |
- voice and piano, with violin ad. lib
- text by Edward Caswall from the Latin
- revision of Piano Concerto, op 10 in D major
- dedicated to Father and Mother (Henry & Mary Scott)
- London: Boosey, 1904
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| Evening
Melody |
- voice and piano
- text by Cyril Scott
- London: Elkin, 1914
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| Exile,
op. 9 |
- voice and piano
- composed ca. 1900
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| For
a Dream's Sake |
- voice and piano
- text by Christina Rossetti
- dedicated to Beryl Freeman
- london: Elkin, 1912
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From
Afar
French title: D'outremer |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Olive and Gerald Lowell Webb
- London: Elkin, 1923
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| Garden
of Memory |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Anthony Bernard
- London: Elkin, 1924
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| Garrison
Churchyard |
- voice and piano
- text by Eric Thirkell Cooper
- composed 1916
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| Gift
of Silence, op. 43, no. 1 |
- voice and piano
- text by Ernest Dowson
- dedicated to Heddie and Alan Gardiner
- London; Elkin, 1905
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| Greek
Song,
op. 29 |
- voice and piano
- composed ca. 1903
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| Have
Ye Seen Him Pass By? |
- voice and piano
- text from Charles de Coster's "The Legend of Tyl Ulenspiegel,"
translated from the French by Geoffrey Whitworth
- dedicated to Anne Thursfield
- London: Elkin, 1921
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| Huckster |
- voice and piano
- text by Edward Thomas
- dedicated to Nelsa and Alexander Chaplin
- London: Elkin, 1921
- printed copy with annotations by Peter Pears
in the Britten-Pears Library
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| If
We Must Part |
- voice and piano
- text by Ernest Dowson
- composed 1929
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I'll
Bid My Heart Be Still
Subtitle: Ancient
Border Melody |
- voice and piano
- text by Thomas Pringle
- London: Elkin, 1922
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| Immortality |
- voice and piano
- text by Lord Lytton
- London: Elkin, 1920
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| In
a Fairy Boat, op. 61, no. 2 |
- voice and piano
- text by Bernard Weller
- London: Elkin 1908
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| In
Absence |
- voice and piano
- text by Herbert A. Giles after the Chinese
- London: Elkin 1919, as No. 2 of Songs of Old Cathay
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In
the Silver Moonbeams
Subtitle: Au
Clair de la Lune |
- voice and piano
- adapted from the old French song "Au clair de la Lune"
- text by Cyril Scott from the French
- dedicated to Alec and Marion Densham
- London: Elkin 1923
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| In
the Valley |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Hubert and Kitty Eisdell
- London: Elkin 1912
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| Insouciance,
op. 56, no. 2 |
- voice and piano
- text by Herbert A. Giles after the Chinese
- London: Elkin 1907
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| Invocation |
- voice and piano
- text by Margaret Maitland Radford
- dedicated to George Whitehouse
- London: Elkin 1916
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| Lady
June |
- voice and piano
- text by Elizabeth Haddon
- London: Elkin 1935
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| Last
Word, op. 30, no. 1 |
- voice and piano
- text by Ernest Dowson
- dedicated to David Bispham
- London: Boosey, 1903
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| Lilac-Time |
- voice and piano
- text by Walt Whitman
- dedicated to Maggie Teyte
- London: Elkin 1914
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| Little
Bells of Sevilla |
- voice and piano
- text by Dora Sigerson Shorter
- London: Elkin 1917
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| Little
Foreigner |
- voice and piano
- subtitle: A character song
- text by Cyril Scott
- dedicated to Madame Conchita Supervía
- London: Elkin 1932
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| Little
Song of Picardie |
- voice and piano
- text by Rosamund Marriott Watson
- London: Elkin 1912
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| Looking
Back |
- voice and piano
- text by Christina Rossetti
- dedicated to Bertram Binyon
- London: Elkin 1917
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| Lord
Randall |
- voice and piano
- dedicated to Laurence Strauss
- London: Elkin 1926
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| Love
Lost, op. 62, no. 1 |
- voice and piano
- text by Herbert A. Giles from the Chinese
- London: Elkin 1908
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| Love's
Aftermath |
- voice and piano
- text by Ernest Dowson
- printed copy with annotations by Peter Pears
- in the Britten-Pears Library
- London: Elkin 1911
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| Love's
Quarrel, op. 55, no. 3 |
- voice and piano
- text by Lord Dutton
- dedicated to Cara and Austin Harris
- London: Elkin 1907
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Lovely
Kind & Kindly Loving
op. 55, no. 1 |
- voice and piano
- text by Nicholas Breton
- dedicated to
- London: Elkin 1907
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| Lullaby,
op 57, no. 2 |
- voice and piano
- text by Christina Rossetti
- dedicated to Guy and Marie Harben
- London: Elkin 1908
- printed copy with annotations by Peter Pears
in the Britten-Pears Library
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| March
Requiem |
- voice and piano
- text by Norah Richardson
- London: Elkin 1928
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| Mary,
op. 42, no. 3 |
- voice and piano
- text by Helen Selina, Lady Dufferin
- London: Boosey 1904
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| Meditation |
- voice and piano
- text by Ernest Dowson
- dedicated to Nora Panfili
- London: Elkin 1915
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| Mermaid's
Song |
- voice and piano
- text by Tamar Faed
- London: Elkin 1930
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| Minstrel
Boy |
- voice and piano
- text by Thomas Moore
- London: Elkin 1922
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| Mirage,
op. 70, no. 2 |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to M. London
- London: Elkin 1910
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| Mist |
- voice and piano
- text by Marguerite E. Barnsdale
- dedicated to Astra Desmond
- London: Elkin 1925
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| My
Captain, op. 38, no. 1 |
- voice and piano
- text by Walt Whitman
- London: Elkin 1904
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| My
Lady Sleeps, op. 70, no. 1 |
- voice and piano
- text by Duffield Bendall
- dedicated to Sir Landon Ronald
- London: Elkin 1910
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| New
Moon, op. 74, no. 6 |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Miss Jean Waterston
- London: Elkin 1911
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| Night
Song |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to George Whitehouse
- London: Elkin 1915
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| Night
Wind |
- voice and piano
- text by Teresa Hooley
- London: Elkin 1920
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| Nocturne |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Mathilde and Wilhelm Kohl
- London: Elkin 1913
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| Old
Loves |
- voice and piano
- text by Cyril Scott after an old French text
- dedicated to Bertram Binyon
- London: Elkin 1919
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Old
Song Ended
German
title: Ein altes lied beendigt |
- voice and piano
- text by Dante Gabriel
- dedicated to Maggie Teyte
- London: Elkin 1911
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| Oracle |
- voice and piano
- text by Cyril Scott
- dedicated to Blanche Marchesi
- London: Elkin 1918 as No. 1 of
Songs of a Strolling Minstrel
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| Osme's
Song, op. 68, no. 2 |
- voice and piano
- text by George Darley fron Sylvia
- London: Elkin 1909
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| Our
Lady of Violets |
- voice and piano
- text by Teresa Hooley
- London: Elkin 1920
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| Pastorale |
- voice and piano
- without text
- London: Elkin 1919
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| Picnic,
op. 46, no. 2 |
- voice and piano
- text by Herbert A. Giles, from the Chinese
- dedicated to R.R. Vamam Shankar Rav Pandid
- London: Elkin 1906
- subsequently incorporated as No. 5 of Songs of Old Cathay
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| Pierrot
and the Moon Maiden |
- voice and piano
- text by Ernest Dowson
- dedicated to Wiesi and Klemens
- London: Elkin 1912
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| Pilgrim
Cranes |
- voice and piano
- text by Lord De Tabley
- London: Elkin 1917
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| Prayer |
- voice and piano
- text by Charles Kingsley
- London: Elkin 1914
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| Prelude,
op. 57, no. 1 |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to A.J. Rowan Hamilton
- London: Elkin 1908
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| Rain |
- voice and piano
- text by Margaret Maitland Radford
- London: Elkin 1916
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| Reconciliation |
- voice and piano
- text by Naomi Carvalho
- London: Elkin 1923
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| Reflection,
op. 43, no. 4 |
- voice and piano
- text by William Roger Paton, from the Greek
- dedicated to Henry Hadley
- London: Elkin 1905
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| Requiem |
- voice and piano
- text by Robert Louis Stevenson
- dedicated to the Memory of Charlotte Milligan-Fox
- London: Elkin 1917
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| Retrospect |
- voice and piano
- text by Ernest Dowson
- dedicated to Alan Gardiner
- London: Elkin 1913
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| Roundel
of Rest, op. 52, no. 2 |
- voice and piano
- text by Arthur Symons
- dedicated to Arthur Symons
- London: Elkin 1906
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| Sands
of Dee, op. 11 |
- voice and piano
- text by Charles Kingsley
- composed ca. 1900
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| Sands
of Dee (ca. 1917) |
- voice and piano
- text by Charles Kingsley
- dedicated to Nesta Richardson
- revision of op. 11
- London: Elkin 1917
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Sange
eines fahrenden
Spielmanns,
op. 1
• Prelude: Worte trügen Worte Fliehen
• Heisst es viel dich bitten
• So ich traurig bin
• Dieses ist ein rechter Morgen
• Aus dem Knospen quellen
• Sieh mein Kind ich gehe |
- voice and piano
- text by Stephan George
- dedicated to Hans Luthy, Clemens Franckenstein,
Balfour Gardiner, T. Holland-Smith, and Roger Quilter
- composed Aug 1980
- performed by John Potter and Stephen Banfield
- on Nov, 6 1980 at Walter Moberly Hall, Keele University, Keele.
- Mss. in the possession of Leslie East
and in the Grainger Museum
(ms: MG C2/SCO-181A and photoprints: MG C3/SCO-181A)
- London: Elkin 19
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| Scotch
Lullabye, op. 57, no. 3 |
- voice and piano
- text by Walter Scott
- composed [ca. 1908?]
- London: Elkin 1910
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| Sea-Fret |
- voice and piano
- text by Teresa Hooley
- dedicated to Granville Bantock
- London: Elkin 1919
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| Sea-Song
of Gafran |
- voice and piano
- text by Felicia Hemans from Welsh melodies
- London: Elkin 1927
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| Serenade,
op. 61, no. 1 |
- voice and piano
- text by Duffield Bendall
- dedicated to Theodore Byard
- London: Elkin 1908
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| She's
But a Lassie Yet |
- voice and piano
- text by James Hogg
- dedicated to Bertram Binyon
- London: Elkin 1919
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| Sleep
Song |
- voice and piano
- text by William B. Rands
- dedicated to Michael A.M. Eisdell and his mother
- London: Elkin 1912
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| Song
of Arcady |
- voice and piano
- text by Ernest Dowson
- dedicated to Bella and Maya Heerman
- London: Elkin 1914
- printed copy with annotations by Peter Pears
in the Britten-Pears Library
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| Song
of London, op. 52, no. 1 |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to H.G. Wells
- London: Elkin 1906
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| Song
of Wine, op. 46, no. 3 |
- voice and piano
- text by Herbert A. Giles, from the Chinese
- subsequently incorporated as No. 3 of Songs of Old Cathay
- dedicated to Frederic Austin
- London: Elkin 1907
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Songs,
Selections
• Beware
• Under the Greenwood Tree
• Hark!
Hark! The Lark
• Sigh No More, Ladies
• What Win if I Gain?
• Sleep, Little Baby, Sleep |
- title: Six Songs
- voice and piano
- composed 1895 -96
- various dedications and texts
- Ms. in possession of Leslie East
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| Sorrow,
op. 36, no. 2 |
- voice and piano
- text by Ernest Dowson
- dedicated to Melchior lechter
- London: Elkin 1904
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| Spring
Ditty, op. 72, no. 1 |
- voice and piano
- text by John Addington Symonds from the Latin
- dedicated to
- London: Elkin 1910
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| Spring
Song |
- voice and piano
- text by Cyril Scott
- dedicated to Ilse Stegmann
- London: Elkin 1913
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| Spring-Day |
- voice and piano
- composed [ca. 1965?]
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| Sumer
Is Icumen In |
- voice and piano
- dedicated to Hubert Eisdell
- London: Elkin 1913
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| Sundown |
- voice and piano
- text by Dorothy Grenside
- London: Elkin 1919
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| Sunshine
and Dusk |
- voice and piano
- text by Margaret Maitland Radford
- London: Elkin 1918
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There
Comes an End to Summer,
op.
30, no. 2 |
- voice and piano
- text by Ernest Dowson
- dedicated to Charles Bonnier
- London: Boosey 1903
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| Time
I've Lost in Wooing |
- voice and piano
- text by Thomas Moore
- dedicated to Hans and Carrie Lüthy
- composed July 1893
- London: Boosey 1904
- Ms. in possession of Leslie East
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| Time
O'Day |
- voice and piano
- text by Olive Macnaghten
- dedicated to Hubert Eisdell
- London: Elkin 1919
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| To-Morrow |
- voice and piano
- text by Christina Rossetti
- London: Elkin 1927
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| Trafalgar,
op. 38, no. 2 |
- voice and piano
- text by Thomas Hardy
- London: Boosey 1904
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| Tranquility |
- voice and piano
- without text
- London: Elkin 1919
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| Trysting
Tree, op. 72, no. 3 |
- voice and piano
- text by Charles Sayle
- London: Elkin 1910
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| Tyrolese
Evensong |
- voice and piano
- text by Felicia Hemans
- London: Elkin 1916
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| Unforeseen,
op. 74, no. 3 |
- voice and piano
- text by Rosamund Marriott Watson
- dedicated to Miss Grainger Kerr
- London: Elkin 1911
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| Valediction,
op. 36, no. 1 |
- voice and piano
- text by Ernest Dowson
- dedicated to Gervase Elwes
- London: Elkin 1904
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| Valley
of Silence, op. 72, no. 4 |
- voice and piano
- text by Ernest Dowson
- printed copy with annotations by Peter Pears
- in the Britten-Pears Library
- London: Elkin 1911
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| Vesperale,
op. 9 |
- voice and piano
- text by Ernest Dowson
- dedicated to Percy Grainger
- composed Apr. 23, 1900
- Ms. in possession of Leslie East
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| Villanelle,
op. 33, no. 3 |
- voice and piano
- text by Ernest Dowson
- dedicated to Mabel and Edwin Lee
- London: Boosey 1904
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| Villanelle
of Firelight |
- voice and piano
- text by Naomi Carvalho
- dedicated to Winifred Barnes
- London: Elkin 1922
|
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Villanelle
of the Poet's Road
op. 74, no. 5 |
- voice and piano
- text by Ernest Dowson
- dedicated to Charles Dyer
- London: Elkin 1911
|
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| Vision,
op. 62, no. 1 |
- voice and piano
- text by Herbert A. Giles, from the Chinese
- dedicated to Mrs. Rowan Hamilton
- London: Elkin 1908
|
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| Voices
of Vision, op. 24, no. 1 |
- voice and piano
- text by Cyril Scott
- dedicated to Aimé and Robin Legge
- London: Elkin 1903
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| Waiting,
op 46, no. 1 |
- voice and piano
- text by Herbert A. Giles, from the Chinese
- dedicated to R. R. Vamam Shankar Rav Pandit
- London: Elkin 1906
- subsequently incorporated as No. 4 of Songs of Old Cathay
|
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| Watchman |
- voice and piano
- text by Jean Hyacinth Hildyard
- London: Elkin 1920
|
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| Water-Lilies |
- voice and piano
- text by P.J. O'Reilly
- London: Elkin 1920
|
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| What
Art Thou Thinking Of? |
- voice and piano
- text by Christina Rossetti
- London: Elkin 1924
|
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| Where
Be Going? |
- voice and piano
- text by Hubert Eisdell
- London: Elkin 1913
|
|
| White
Knight, op. 43, no. 3 |
- voice and piano
- text by Rosamund Marriott Watson after an old French text
- dedicated to Rosamund Marriott Watson
- London: Elkin 1905
|
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Why
So Pale and Wan?
op. 55, no. 2 |
- voice and piano
- text by Sir John Suckling
- London: Elkin 1907
|
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| Willows,
op. 24, no. 2 |
- voice and piano
- text by Cyril Scott
- dedicated to Aimé and Robin Legge
- London: Elkin 1903
|
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| Yvonne
of Brittany, op. 5, no. 2 |
- voice and piano
- text by Ernest Dowson
- dedicated to Walter Crook
- composed [ca. 1899?]
- London: Boosey 1903
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© 2006 Desmond Scott • webdesign by Amanta Scott • Revised: Thursday, December 6, 2007
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